Sound of Ceres aims to mesmerize. The New York-via-Colorado synth-pop quartet brings its dreamy music to life with a unique live show, full of choreographed laser lights, reflective handmade costumes, and illusions inspired by early 1900s magicians. Founded by husband and wife Ryan and Karen Hover of Candy Claws, the Marina Abramovic-approved, outer space-bent group will perform at Alphaville for three shows this month in a residency for AdHoc. Each night will have an opener hand-picked by the band: performance artist Sarah Kinlaw on September 7, composer Dondadi (aka Connor Harwick of The Drums) on September 14, and a yet-to-be-announced “dream” artist for the final show on September 21.
Ahead of the residency, Karen Hover spoke to AdHoc about their psychedelic stage productions, touring with Beach House, and recording their latest album, The Twin.
You just finished a U.S. tour with Beach House, and you’re due to head back out with them to Europe soon. How was it playing with them?
It was great. We went out with them in May and we just did another chunk of time in August with them and it was great—really crazy venues that are way bigger than we’ve ever played before. It was kind of a unique experience to play in pretty opera theaters and ballrooms. [Beach House is] very light-oriented like we are so it was a very fun pairing. Basically we’re both very into visuals, but their set is a little higher-end because they have the budget to do that, versus ours, which is very homespun. It was fun seeing the two side by side.