Posts Tagged Profligate

Profligate's Noah Anthony Shares His Year-End Playlist

Profligate's Noah Anthony Shares His Year-End Playlist Photography by Jane Chardiet

Profligate is the electronic project of Philadelphia-based Noah Anthony. Throughout his many releases—including the upcoming Somewhere Else, out January 5th on Wharf Cat Records—Anthony toes the line between industrial grime, haunting ambient, and dancefloor pop. In AdHoc's review of 2016's Abbreviated Regime, we noted his "richly euphonious songs that are both deeply transformative and spiritually moving." Ahead of his record release show on January 19th at Secret Project Robot, we asked Anthony to share some songs he's had on repeat this year; he responded with twelve songs that, in his words, are a mix of "new discoveries [he's] had in steady rotation over the past year or so, along with some other perennial favorites." Check out his playlist below.

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Noise and Techno's Mutant Offspring, Three Years Later

Noise and Techno's Mutant Offspring, Three Years Later Pharmakon at the Knockdown Center, 2013

It's been a few years since I've seen people on Facebook bitching about noise “going disco.” 2011 saw the release of Container's debut LP on Spectrum Spools, Pete Swanson's Man With Potential on Type, and the early swath of Vatican Shadow tapes on Dominick Fernow's own Hospital Productions. Some, like myself, went bonkers for the propulsive, fucked up sound innovated by these artists. Whether you were a head banger or a viber, these sounds seemed to destroy all rational thought and force you to listen with your whole body. Some grumpy dudes (often dudes) saw the fusion of noise and beats as a gimmick, something trendy that merited an eye roll.

It wasn't new, and it wasn't a fad. That much has become obvious. Unicorn Hard-On had been messing with dance music in plain sight at noise shows for years, and there is an entire history of power electronics which preceded '00s American noise music. Electronic music is a continuum, on which the distance between noise and dance music seems to fluctuate over the course of time. Right now, the two are particularly close, as you are generally hard pressed to find basically any experimental electronic music without a beat these days. Even the most abstract modular synthesists tend to have a metronomic tic that drives their improvisations. People will continue to gain interest and lose interest in beats until the final humans are extinguished on an interstellar mission to inhabit a new Earth.

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