Posts Tagged Priests

Phil Elverum Made The Cover Art For AdHoc Issue 22

Phil Elverum Made The Cover Art For AdHoc Issue 22

AdHoc Issue 22 is here! Download a PDF of the zine at this link, and look out for physical copies both at our shows and at record stores, bookstores, coffee shops, and community centers throughout the city. If you happen to live outside of New York, you may order a copy as well.
 
In our latest issue, responding to a reader’s question, Priests vocalist Katie Alice Greer brings up “the difference between reality-you and dream-you,” and suggests that in order to realize your potential, it’s important to parse those separate identities. Navigating that separation can be tough for artists, as the other musicians featured in these pages—Greta Kline of Frankie Cosmos and LVL UP’s Nick Corbo—have found out. Both write personal music for bands with cult followings, and have noticed that the more they tour and record, the more those identities—as human and as musician—start to merge. Corbo says that his collaboration with his bandmates is “entwined with my life and who I am.” Kline wonders, “Am I my job?” Yet the social aspect of music—from collaborating to engaging with fans—has helped both artists navigate that distinction. As Kline puts it, “Frankie Cosmos is so much bigger than me and who I am.” Sometimes figuring out who you are who you are requires letting others in.
 
AdHoc Issue 22's contributors: 
 
Phil Elverum has produced two decades worth of records as The Microphones and Mount Eerie that span a wide spectrum, from studio heavy atmospheric landscaping to simple, raw songs. He made the cover for this issue.
 
Aubrey Nolan is a Queens-based illustrator, cartoonist, and host of a monthly reading series for cartoonists, Panels to the People. She made the illustrations for this issue.

Flasher Document the "Paranoia-Fueled Auto Erotic American Psyche" In New Single

Flasher Document the Photography by Michael Andrade

There’s a venerable tradition of documenting a day in song—but what if this process could be automated? How can you document a moment or day in a way that is smoothed out of the messiness of personal experience? DC punks and Priests affiliates Flasher offer such an attempt on “Winnie,” the A-side to their upcoming 7”. “Winnie” recalls a motel breakfast in Winnie, Texas last May, intercutting verbatim quotations from news coverage of the Egypt Air Flight 804 with pharmaceutical advertisements heard on the TV that day. It’s a song that luxuriates in the weird, improbable sentiments created by juxtaposing the two source texts, and their uncanny effectiveness as pop lyrics—“these feet want to keep the beat moving,” taken from a diabetes medication commercial, is just one of many ear wormy hooks the track features. The track itself is riff-fueled post-punk joyride, sounding like something off an early Mission of Burma single; off-kilter but enthused with a deft pop sensibility. Flasher describe the track as a “bricolage tribute to the paranoia-fueled auto erotic American psyche,” but the song works just as well as a catchy-as-hell rave up.

Listen to the track below. “Winnie b/w “Burn Blue” is due out May 5 via Sister Polygon. The band will be on tour throughout the Spring, and will perform at AdHoc’s SXSW day party in Austin at Cheer Up Charlie’s on March 15.

Sneaks Releases New Single From Upcoming Record

Sneaks Releases New Single From Upcoming Record Photography by Nina Corcoran

DC-native Eva Moolchan makes what she describes as “violent vibes” under the moniker of Sneaks. She first drew people’s ears in 2015 when she released Gymnastics on Priests' label, Sister Polygon. On it, Sneaks channeled the groovier, artier edge of early New York punk with a preternatural ear for brevity. Merge caught on and signed her, reissuing Gymnastics last year in anticipation of her new material. “Hair Slick Back” is the second single from her forthcoming record, It’s a Myth. With a bassline worthy of ESG, the song rides an irresistible groove as Moolchan delivers a tense, terse lyric belied by her double tracked, deadpan vocals.

Check out the track below. It’s A Myth is due out March 31 via Merge. Sneaks will be on tour throughout March, and will perform at Alphaville with local fixtures Future Punx on March 25

Hear The Title Track To Priests' Debut Full Length

Hear The Title Track To Priests' Debut Full Length Photography By Aubrey Melton

For the past half-decade, Priests have been an anchor of their native-D.C.’s music community, releasing music by local or otherwise likeminded bands like Snail Mail, Downtown Boys, as well as Priests-related side projects including Flasher and Gauche, via their label Sister Polygon. After releasing their excellent Bodies and Control and Money and Power with Don Giovanni, the band is gearing up to release their debut full-length, Nothing Feels Natural through their own label. The album’s title track channels the urgency that’s characterized their previous music through a dizzying melodic arc to create a bracing anthem about the struggle to realize yourself against seemingly irresistible forces.

 

Listen to “Nothing Feels Natural” below. The record is due out January 27 via Sister Polygon Records. Priests will be kicking off a tour in support of the record with an anti-fascist benefit concert in DC on the day of the inauguration. They’ll be performing in New York with Snail Mail at Brooklyn Night Bazaar on January 28.