Photography by Chona Kasinger
No band attacks vocal harmonies with as much commanding intensity as Los Angeles-based La Luz. Their eerie brand of surf-rock has always had something cinematic about it, thanks in no small part to their deadly four-part crooning. Their latest outing, Floating Features, finds the band dragging those screen dreams into the open. It’s simultaneously their most immediately rewarding record and their slowest burning, holding you captive with vibrant production and razor-sharp songwriting. Make no mistake: Floating Features will turn you into a Luzer for life.
AdHoc caught up with lead singer and guitarist Shana Cleveland to dig into their latest concoction.
Floating Features is available now via Sub Pop.
AdHoc: Which song is the oldest on Floating Features?
Shana Cleveland: I’m actually not sure. I know that I wrote “Cicada,” “Walking Into the Sun,” and “Lonely Dozer” early on. I wrote those first few in Northern California and the rest in LA, where the band fleshed them out together.
You tend to put a few instrumentals on your records, just tracks where you and the band rock out and jam. Is that something that you feel is central to the identity of the band?
SC: I think it is. It’s fun to have that break. We have so many vocals, oftentimes with four-part harmonies through most of a song. So when we come back after this long instrumental break, it feels really triumphant to break in with these huge harmonies. I’ve listened to a lot of instrumental stuff—surf music and finger pickers like John Fahey—so I always appreciate an instrumental song. This record we just had one, and the others had two, but it was nice to put that one as the first track. Even though there’s only one, it has a very prominent place on the record.Read More