Posts Tagged Kanine

Beverly Discuss Artistry in a Time of Crisis

Beverly Discuss Artistry in a Time of Crisis Photography by Ebru Yildiz

Beverly makes indie rock lucid in all senses of the word—from their ebullient guitar work, to their limpid lyricism, to the hyperrealist art adorning The Blue Swell, their latest record for Kanine. Distilling the sounds of their forebears—including My Bloody Valentine and The Breeders—and the thrum of the New York scene, the Brooklyn-based rockers concoct a radiant mélange of melody and reverb. Ahead of the band's show September 12 at The Park Church Co-op, vocalist and guitarist Drew Citron spoke with AdHoc about the interconnected processes of sound engineering and live performance, as well as the role of the artist in this time of crisis.

AdHoc: You’ve been a band for about three years now. In that time, Beverly has gone through a lot of changes, including parting ways with Frankie Rose and gaining Scott Rosenthal. Do you feel like you have a firm grasp on what music and art you want to make through Beverly? How has that changed or stayed the same over time?

Drew Citron: Yeah, I mean I have always had a pretty firm grasp on the music because 90% of the songs are written by me. So in that sense, it's stayed the same. If anything, the direction of the band has become more focused over time, as I've gotten more confident with writing, singing, recording and performing.

Read More

Pinact Premieres A Rowdy Video For "Seams"

Pinact Premieres A Rowdy Video For

"Seams" sweats. That is, Pinact's latest single off their upcoming full-length The Part That Know One Knows possess a distinctly pubescent quality—one evocative of burps and braces, frayed t-shirts and enamel pins. It's raw pop-punk, jittery and slurred at once, tripping over itself as it follows Gillies' sneering tenor,  singing of something "splitting at the seams."

Shot in the Glaswegian threepiece's studio, the accompanying video depicts a rowdy performance inspired by Nirvana's legendary Paramount show in which partygoers crowdsurf and mosh, revved by Lewis Reynolds' rumbling drums and Gillies' jagged, high-octane guitar.  With its attention to the physical signifiers of pop-punk—from the bandmates' disheveled mops to Gillies' low-slung guitar to the VHS grittiness of the footage itself—the clip discharges the sonic retromania of a teenage era into a bratty physicality, capturing a moment of sounds and gestures and bodies still lingering somewhere in the corporeal memory of the skin. 

Pinact's latest LP The Part That Know One Knows is out August 25 on Kanine. Catch Pinact unleash their hormonal energy at Alphaville on July 27