Photography by Sonya Belakhlef
gobbinjr—aka, Emma Witmer—tries to find the humor in everything. Her cheery voice floats over jangly bedpop melodies, chirping out Lynchian lyrics about everything from heartache to misogyny.
The Brooklyn-based musician’s latest album, ocala wick, is mostly a world of whimsy: On opener ‘afraid of me,’ she coos, “I’m going to work high / I’m smoking at work…Hi, nice to meet you,” as starship synths rocket underway. Yet Witmer allows darkness to glisten here, too—tracks like ‘joaquin’ and ‘sorry charlie’ feature her airy soprano dipping into a somber register as she tackles anxious thoughts and the weight of loss. Three years after her playful debut, manalang, gobbinjr is leaning into these intimate moments.
AdHoc connected with Emma ahead of tonight’s June 15 record release show at Baby’s All Right to talk about this newfound vulnerability, sexism in the music industry, and the power of honesty on social media.
Be sure to grab a copy of ocala wick, out now via Topshelf Records.
AdHoc: A lot of publications have referred to your music as “childlike,” or “girlish.” That’s always rubbed me the wrong way; it infantilizes you and your work. You recently took to Twitter yourself calling this problem out. Are there any other ways that you feel you’ve been reduced or poorly understood as an artist?
Emma Witmer: I think the child thing is definitely just my main issue right now. I’ve worked really hard to not be sexualized, and the child thing is the other end of that coin, you know? You’re either sexy or you’re childish if you’re a woman. And I think now, some people just don’t want to approach me because I will speak out on Twitter.
The “childlike” thing is also bizarre since your music consistently addresses adult themes, like heartbreak and misogyny. Are those things that you purposefully set out to address on your new album?
Yeah, it was just what I was dealing with these past few years, and [when] taking time to make the album, I realized that half of it was about all of this stuff— being mistreated by men, not being viewed correctly, not being respected. It wasn’t intentional, but it’s obviously on my mind a lot. It’s tough being a woman in music. Which sucks—I don’t really want to have to say that about myself: “A woman in music.” I just want to be a musician.Read More