AdHoc Issue 19 is here! Download a PDF of the zine at this link, and look out for physical copies both at our shows and at record stores, bookstores, coffee shops, and community centers throughout the city. (Those of you outside New York City can order a copy as well.)
In this issue, we explore music as a social act. Speaking to Emilie Friedlander, Pharmakon’s Margaret Chardiet explains the importance of audience engagement in her live shows, and how that sensibility informed her new record, Contact. Cleo Tucker and Harmony Tividad of Girlpool—who also have a new record, Powerplant, in the works—unpack the role of person-to-person connectivity in their music. In conversation with Hand Habits’ Meg Duffy, they discuss their closeness as an artistic and social unit, and how introducing new people into the Girlpool live band was almost as tricky as opening up a romantic relationship. Both Pharmakon and Girlpool articulate reasons for making art that move beyond personal expression or gratification, and into something more inclusive.
AdHoc Issue 19's contributors:
Girlpool is a Los Angeles-based band whose founding members, Cleo Tucker and Harmony Tividad, made the collage that appears on this issue’s cover.
Meg Duffy is a Los Angeles-based musician who performs under the name Hand Habits; her album, Wildly Idle (Humble Before the Void), is out now via Woodsist. Meg interviewed Cleo and Harmony for this issue.
Leesh Adamerovich is a Brooklyn-based illustrator who enjoys collaborating with musicians. Her work is influenced by ’70s music, animation, and quiet moments, and she made the illustrations for this issue.
About two years ago I was eating a meal inside a festival’s hospitality tent somewhere in the Netherlands. I remember being very psychedelically tired from a drive with the Kevin Morby crew—it was around two weeks deep into a tour. I have no recollection of playing a set that day.
While eating bread soaked in some sort of chicken juice and noticing the conversations around me, I spied a tall redhead bopping around the cutlery zone with a blue-haired accomplice. I admired their fashion. I recognized them both but couldn't remember from where.
To my surprise, the two sat down at my table! Soon I learned that they were Cleo Tucker and Harmony Tividad, aka Girlpool. We had many mutual friends back on the East Coast. I didn't catch their set at the festival, but during our time there, our crews merged. We climbed a jungle gym, ate delicious Belgian waffles and ice cream, and talked about jet lag and how strange it was to be at a festival very far from home with so many friends of friends.
Since that day, Cleo and Harm moved back to Los Angeles (where I also live), made a new record called Power Plant (that I love), and expanded their live band to include two new collaborators. They also each have one new pair of pants, which I know, because recently we all went shopping together. This winter—while I was in a van on tour with my band Hand Habits, and while Cleo and Harm were in their respective homes in LA—we spoke on the phone about friends, feedback, and collaboration. —Meg Duffy
Meg Duffy: So you guys live in Los Angeles now. What are you doing out there?
Cleo Tucker: We’ve been rehearsing with the new band; we’re gonna go to SxSW and then hopefully have some time to record a ton of music. And then we’re gonna hit the road at the end of May for like a month, and then we’re gonna go to Europe.
Who is in the new band?
Cleo Tucker: It’s Miles Wintner from Traps PS on drums, and Stephen Steinbrink on synth and guitar. And then… us.