Photography by Thom Kerr
Emma Louise could have made another pop record. The Australian singer-songwriter more than proved her craft on her first two full-lengths, and has grown into something of an indie darling Down Under after touring with Sam Smith for the Oceania leg of his “In the Lonely Hour” tour.
Produced by Tobias Jesso Jr., Lilac Everything, her latest album, sees Louise ditching the pseudo-twee pop persona of her past releases and boldly experimenting with her voice, which she pitches down on every song. The result is a series of quiet, genre-defying pieces. The production is spacious and ambient, and the vocal manipulations shade each lyric with an extra layer of sadness. Over email, Louise told AdHoc that “it just felt so right.”
The first single, “Wish You Well,” is surprisingly Zen for a breakup anthem. “I hope you keep singing with your eyes closed,” she croons over a steady swell of piano and percussion. There’s no bitterness here, only sadness at what could’ve been, and some meager hope for what might be.